Justice, Where Fore Out Thou?

Please read this gut-wrenching article and sign Michael Moore’s petition.


After seeing two amazing movies this weekend that point to scathing misdeeds of the Church (in the movie “Spotlight”) and of the horrors of the bankers gutting our personal savings and pillaging the U.S. Treasury via their sub-prime and C.D.O. scams (in the movie “The Big Short”), I’ve been thinking about how all of these powerful and relentlessly greedy people continue without remorse and with no justice ever serving them.

In this particular exposé linked above, the central points that sound an alarm for me with regard to a horrific situation at the college I teach at, City College of San Francisco:
The whole story starts back in 2011, when a new financial emergency management law in the state took effect, allowing Governor Snyder to unilaterally ignore democratically-elected mayors and city councils, and appoint little dictators called “emergency managers” in cities and districts that were in financial trouble.
In other words, it gave Governor Snyder the authority to appoint city dictators to “cut costs” and “balance budgets.”

The A-HA moment for me!

Many outside interim administrators and two special Trustees have been sent to “fix” alleged problems at my college that have only turned it completely upside down and inside out. Several news stories have recently surfaced  regarding wrongful expenditures by our former Chancellor who was placed in power by the State Chancellor’s Office and the Special Trustee With Extraordinary Powers (yes, that was his title). The Special Trustee was empowered to oversee the college alone while our democratically-elected and deposed Board of Trustees had to sit on the sidelines,  not even being allowed to meet. (rings of Michigan, no?)

A new financial system was put into place by an Interim Vice Chancellor of Financial Affairs that was supposed to create a “proper system” that had (allegedly) been lacking at CCSF (according to a Financial Crisis Managment Report that bears the signature of this new VCFA when he was at another college!).  This report was found to be riddled with errors, but the then “emergency manager” who was our first interim Chancellor refused to call out the errors allowing a wrong assessment to be used against us to this very day.

With all of the new, strictly-managed financial systems in place,  how were the two outsiders from Houston (the aforementioned former Chancellor and President) allowed to spend lavishly on themselves with trips abroad, expensive meals, and purchases for themselves that were not for the college?  Where was the financial control over them?  (I know that, like me, many of the faculty experienced difficulty in being reimbursed promptly for expenses that were owed to us from attending various  conferences and such. We had to pay up front for the conference fee, travel, and hotel, only to be forced to wait 5-months or more for reimbursement.)
“Emergency Managers” put into place do not have the best interests of the institutions nor constituents that they are supposed to serve at heart. They empowered for a brief time and bestowed with huge salaries, extra perks such as housing and vehicle costs, and double-dipping into pension programs that are covered by the taxpayers.

Average americans have been RIPPED OFF LONG ENOUGH!

I have been thinking a lot about not only our situation at CCSF, but about America’s “institutions”, and how it’s tough these days to find even ONE that bears any resemblance to honesty and truth.  The underserved and the middle class have been cut off at the knees and continue to drown in a cesspool of greed caused by corrupt City Planners, Mayors, Governors, Congressmen, Chancellors, Presidents, and even Judges, who allow the snakes of the mega-corporations to control all of it.


About danaj33

I have been teaching in the Broadcast Electronic Media Art department at City College of San Francisco since 2001. I started teaching full-time in 2009 and am tenured. My career as an audio engineer spans 32-years since the first day I began to record and mix songs on my Tascam PortaStudio (cassette 4-track) in the early 80's while attending college at UC Berkeley. I formed a couple of bands and sang lead (sometimes playing rhythm guitar) until 1988 when I discovered that the "behind-the-scenes" tech realm was much more to my liking. I love how an audio engineer controls the ENTIRE sound mix, and not just one's own instrument. I then began a career as a live sound engineer in earnest and have toured extensively throughout the U.S. and Europe as front-of-house sound engineer for a multitude of bands on various record labels (most notably "Medicine" on American Recordings) and have been a staff engineer at the venerable Bottom of the Hill nightclub since their inception in 1991 leaving a regular shift there in 2010 due to the teaching schedule. The club and its staff are like family. I owned and operated a live sound production company since 1989 (ending officially in 2017) called dcj Productions that has provided sound to the Bay Area community (mostly in the non-profit sector) in both large outdoor sound events as well as nightclubs and music halls. In 1991, I started recording bands on an 8-track Tascam TSR-8 analog tape recorder and moved into the digital realm in 1993 to 16-tracks of Alesis ADAT connected to a Soundcraft Ghost console in my home studio. In 1995, I advanced to Pro Tools and have been recording exclusively digital ever since, combining audio skills in sound for film as a location recordist as well as an engineer in post-production sound design and mixing. I remained "strictly analog" in my live sound mixing until just this past year (2012). Now that one can obtain a decent, live sound digital mixer at an affordable price, it was high time to check out digital for live. I now have a Presonus StudioLive 16.4.2 to work on with my students to give them much needed hands-on experience with a digital console. I co-owned and ran APG Records & APG Studios, an SF record label and recording studio, from 1999 - 2004 which had a distribution deal through EMI. The company folded in 2004. I continue to record music and engineer live performances at many Bay Area venues in addition to full-time teaching at CCSF. In 2001, I was hired to the part-time faculty at City College of San Francisco in the Broadcast Electronics Media Arts department where I have taught many of the classes including Digital Media Skills (BCST119), Basic Audio Production (BCST120), Digital Audio Production (BCST124), Sound Recording Studio (BCST125), Sound For Visual Media (BCST126), Advanced Sound Recording (BCST127), Sound Reinforcement (BCST128), Audio for the Web (BCST135), Video for the Web (BCST136), and Field Video Production (BCST141). I have also taught classes in sound design, audio for animation and games, music video, and computer applications at Art Institute of California-San Francisco, Globe Recording Institute, and Laney College in Oakland, CA. Outside Affiliations: - Co-Director of SoundGirls - current member of Audio Engineering Society and on the SF Chapter Planning Committee - past Vice President and Interim President Board of Directors - Bay Area Girls Rock Camp - past volunteer/contributor to Women's Audio Mission - past member Bay Area Women in Media and Film - past Board of Directors for Camp Reel Stories
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