Anyone who has worked for a public institution or a corporation knows these two words have some important meaning. They represent a department of people whose job it is to ensure that the organization for which they work maintains a propriety among the humans who work there. Duties include assuring that an ample number of working humans are hired for the job with the requisite skills and knowledge as well as keeping those who are employed with the organization in a happy step with the rules and regulations of the entire body corporeal.
What if we look at the two words from the mindset of the people who consider themselves well above this group of souls working together. You know the person(s), the boss, head honcho, supervisor, manager, Vice President, President, Premier, Platypus Rex. Think of the way that these people think of those beneath them–the staff, personnel, workforce, crew, manpower, the working class / proletariat…
Now, let’s just ponder the man in charge at the top of the heap of these UnTied States and the man in charge (Majority Leader) of the Senate and the man in charge of the House…think about the words in and of themselves:
Human
Resources
Sit with your eyes closed and just wonder what images or thoughts may come to those three men and the political control they have over our nation’s humans and our global resources and how they might think of humans AS resources. What do they do with our earth resources? Squander • Pillage • Rape • Kill • Endanger • Destroy.
OK. Now open your eyes…
commodity • chattel
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About danaj33
I have been teaching in the Broadcast Electronic Media Art department at City College of San Francisco since 2001. I was a part-time faculty member until 2009 when I became full-time.
My career as an audio engineer spans 27 years since the first day I began to record and mix songs on my Tascam PortaStudio (cassetter 4-track) in the early 80's while attending college at UC Berkeley. I formed a couple of bands and sang lead (sometimes playing rhythm guitar) until 1988 when I discovered that the "behind-the-scenes" tech realm was much more to my liking. I love how an audio engineer controls the ENTIRE sound mix, and not just one's own instrument. I then began a career as a live sound engineer in earnest and have toured extensively throughout the U.S. and Europe as front-of-house sound engineer for a multitude of bands on various record labels (most notably "Medicine" on American Recordings) and have been a staff engineer at the venerable Bottom of the Hill nightclub since their inception in 1991. The club and its staff are like family.
I have maintained a live sound production company since 1989 called dcj Productions that has provided sound to the Bay Area community (mostly in the non-profit sector) in both large outdoor sound events as well as nightclubs and music halls.
In 1991, I started recording bands on an 8-track Tascam TSR-8 analog tape recorder and moved into the digital realm in 1993 to 16-tracks of Alesis ADAT connected to a Soundcraft Ghost console in my home studio.
In 1995, I advanced to Pro Tools and have been recording exclusively digital ever since, combining audio skills in sound for film as a location recordist as well as an engineer in post-production sound design and mixing. I remained "strictly analog" in my live sound mixing until just this past year (2012). Now that one can obtain a decent, live sound digital mixer at an affordable price, it was high time to check out digital for live. I now have a Presonus StudioLive 16.4.2 to work on with my students to give them much needed hands-on experience with a digital console.
I co-owned and ran APG Records & APG Studios, an SF record label and recording studio, from 1999 - 2004 which had a distribution deal through EMI. The company folded in 2004. I continue to record music and engineer live performances at many Bay Area venues in addition to full-time teaching at CCSF.
In 2001, I was hired to the part-time faculty at City College of San Francisco in the Broadcast Electronics Media Arts department where I have taught many of the classes including Digital Media Skills (BCST119), Basic Audio Production (BCST120), Digital Audio Production (BCST124), Sound Recording Studio (BCST125), Sound For Visual Media (BCST126), Advanced Sound Recording (BCST127), Sound Reinforcement (BCST128), Audio for the Web (BCST135), Video for the Web (BCST136), and Field Video Production (BCST145). I have also taught classes in sound design, audio for animation and games, music video, and computer applications at Art Institute of California-San Francisco, Globe Recording Institute, and Laney College in Oakland, CA.
A few CCSF Projects:
- Produced a promotional video for the Math
department Bridge Program titled "Quadratic Rap".
- Produced a new employee orientation video for
the Human Resources department at CCSF
- Coordinated audio for camera - SF Mayoral
Debate, Fall 2011
- Coordinator of Audio Industry Advisory Panel for
BEMA, Fall 2011
- Co-Coordinator of Video Industry Advisory Panel for
BEMA, Spring 2012
Outside Affiliations:
- past Vice President and Interim President Board of Directors -
Bay Area Girls Rock Camp
- past volunteer/contributor to Women's Audio Mission
- past member Bay Area Women in Media and Film
- current member of Audio Engineering Society
- current Board of Directors for Camp Reel Stories
