Dear Diary,
I feel less pain today as my fellow educators across the globe probe my writings to inform me of mutual discoveries in our places of learning. Our roles in society as teacher, educator, professor, lecturer, tutor, instructor, counselor, guide, and mentor were once titles that commanded respect and admiration. The current onslaught of constant vilification by the very people paid 3 – 6 times more than those of us doing actual work with and for our students gouges all of our senses. Like a superhero, we deflect every arrow, sword, bullet and bomb, simultaneously protecting both our students and our mental health as we trudge forward to our classrooms, laboratories, and lecture halls. We do not cower from the formidable attack by top administrators and government officials.
“Onward toward earning your degree!” we shout in the foggy mists.
“Keep up; you’re nearly there! Final examinations are just around the next bend!” we encourage as we haul them through the last storm of writing papers and reports, reviewing texts, performing lab experiments, researching in the libraries, connecting to the world via online links.
Meanwhile, using every means possible, we are “weighed and measured” while support systems have been removed, salaries cut, and retiring faculty not replaced.
It is time, dear Diary, to walk on a lovely Spring day and set my mind to wander.
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About danaj33
I have been teaching in the Broadcast Electronic Media Art department at City College of San Francisco since 2001. I started teaching full-time in 2009 and am tenured.
My career as an audio engineer spans 32-years since the first day I began to record and mix songs on my Tascam PortaStudio (cassette 4-track) in the early 80's while attending college at UC Berkeley. I formed a couple of bands and sang lead (sometimes playing rhythm guitar) until 1988 when I discovered that the "behind-the-scenes" tech realm was much more to my liking. I love how an audio engineer controls the ENTIRE sound mix, and not just one's own instrument. I then began a career as a live sound engineer in earnest and have toured extensively throughout the U.S. and Europe as front-of-house sound engineer for a multitude of bands on various record labels (most notably "Medicine" on American Recordings) and have been a staff engineer at the venerable Bottom of the Hill nightclub since their inception in 1991 leaving a regular shift there in 2010 due to the teaching schedule. The club and its staff are like family.
I owned and operated a live sound production company since 1989 (ending officially in 2017) called dcj Productions that has provided sound to the Bay Area community (mostly in the non-profit sector) in both large outdoor sound events as well as nightclubs and music halls.
In 1991, I started recording bands on an 8-track Tascam TSR-8 analog tape recorder and moved into the digital realm in 1993 to 16-tracks of Alesis ADAT connected to a Soundcraft Ghost console in my home studio.
In 1995, I advanced to Pro Tools and have been recording exclusively digital ever since, combining audio skills in sound for film as a location recordist as well as an engineer in post-production sound design and mixing. I remained "strictly analog" in my live sound mixing until just this past year (2012). Now that one can obtain a decent, live sound digital mixer at an affordable price, it was high time to check out digital for live. I now have a Presonus StudioLive 16.4.2 to work on with my students to give them much needed hands-on experience with a digital console.
I co-owned and ran APG Records & APG Studios, an SF record label and recording studio, from 1999 - 2004 which had a distribution deal through EMI. The company folded in 2004. I continue to record music and engineer live performances at many Bay Area venues in addition to full-time teaching at CCSF.
In 2001, I was hired to the part-time faculty at City College of San Francisco in the Broadcast Electronics Media Arts department where I have taught many of the classes including Digital Media Skills (BCST119), Basic Audio Production (BCST120), Digital Audio Production (BCST124), Sound Recording Studio (BCST125), Sound For Visual Media (BCST126), Advanced Sound Recording (BCST127), Sound Reinforcement (BCST128), Audio for the Web (BCST135), Video for the Web (BCST136), and Field Video Production (BCST141). I have also taught classes in sound design, audio for animation and games, music video, and computer applications at Art Institute of California-San Francisco, Globe Recording Institute, and Laney College in Oakland, CA.
Outside Affiliations:
- Co-Director of SoundGirls
- current member of Audio Engineering Society and on the SF Chapter Planning
Committee
- past Vice President and Interim President Board of Directors -
Bay Area Girls Rock Camp
- past volunteer/contributor to Women's Audio Mission
- past member Bay Area Women in Media and Film
- past Board of Directors for Camp Reel Stories
